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MICHAEL JACKSON THE NUMBER ONE ARTIST IN WORLD?

Last summer when "The Girl Is Mine" was starting to ascend the charts—the first detonation from the mega-platinum explosion for which it was blazing a trail—a good friend of mine was swooning over the whispy ballad to her soon-to-be-formergirlfriend.

January 2, 1984
VERNON GIBBS

Last summer when "The Girl Is Mine" was starting to ascend the charts—the first detonation from the mega-platinum explosion for which it was blazing a trail—a good friend of mine was swooning over the whispy ballad to her soon-to-be-formergirlfriend. As she continued to gush starry-eyed over the merits of the tune, her soon-to-be-former girlfriend curtly attempted to bring her back to reality.

"It's just an ordinary song," sniffed the highfalutin dame, whose tastes run towards Sonny Rollins. "The melody isn't that interesting, the chorus is forgettable and the production is pedestrian. I would expect that when two alleged superstars like that get together that they would come up with something slightly less feeble."

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