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WORKING MAN’S BLUES

There’s a new furrowed-brow earnestness now emerging in American rock ’n’ roll, a grainy neorealism that depicts workaday lives in ways that were once the exclusive province of country music, a neorealism which is attempting to chart the widening gap between what we’d hoped for (romantically, socially, economically) and what we’re currently experiencing.

April 1, 1983
Mitchell Cohen

WORKING MAN’S BLUES

RECORDS

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