THE BEAT GOES ON
NEW YORK—During the summer of ’81, I wrote a review of London band Killing Joke’s second album What’s This For...! for the Village Voice; in it I described the killing joke ideology as exploitative nonsense, and Killing Joke’s music as an ugly, overwhelming, heavy metal-disco fusion that might be the first real advance in HM since the Stooges.
March 1, 1983