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Rock-a-Rama

Rock-A-Rama

This month’s Rock-A-Ramas were written by Michael Davis, Richard Riegel, Mitchell Cohen,\ and Richard C. Walls

October 1, 1980

GRACE JONES—Warm Leatherette (Island)" Disco’s dying, so they say, so what are all these ex-fashiori models to do? Now Grace ain’t standing still; gotta give her that; She’s hired a first-rate reggae band, picked some great tunes, and recorded them with none other than Chris Blackwell. Too bad she’s come upjvith such & load of fake cowhide. The problem is that no matter how Striking a figure she cuts onstage foith her whips and all, her voice has all the life of a recycled zombie. Unless you’re looking for j Dawn of the Dread, pass on this one. M:D.

SHAKIR STREET (Columbia):: With the .novelty-value of female-dominant hard rock outfits like Heart long since discredited, ro)e-reversal kicks just keep getting harder to find, unless you’re fortunate enough to stumble upon the French Shakin’ Street and lead vocalist Fabienne Shine,'something of a Blue Oyster Cult obsessive. Not that S.S. producer Sandy Pearlman would have it any; other way, as he’s > been searching for a new global-domination vehicle ever since jealous rock critics hounded him and his applied-rockcritical theories out of B.O.C. a few years back. No Pfarlmanic thesaurusbanger lyrics for Shakin’ Street, but Sandy did bring ex-Dictator Ross the Boss over to lead iguitar for’em, and the combination is just about as damn fine kinetic as the international H&M gets these days. Stun-guitars meet vocal screeches better’n Plant’s, and it’s nowhere i near 74—you can enjoy this metal right thru your short hair and straight-legged pants. R.R.

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