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Roxy Music: Terror in the Rue Morgue

Word was out that Roxy Music was glamrock, a hype, flashy, weird, fifties revival, electronic, esoteric, terrifying and incredible. So I was really pleased, when I saw them in London recently, that they were none of the above. Well... maybe all of the above.

May 1, 1973
Lisa Robinson

Word was out that Roxy Music was glamrock, a hype, flashy, weird, fifties revival, electronic, esoteric, terrifying and incredible. So I was really pleased, when I saw them in London recently, that they were none of the above. Well... maybe all of the above. But more, much more. For the price of a ticket, you get ten years worth of rock and roll.

I was prepared to like them after having been presented with an import copy of their album last June by Richard Williams (pi Melody Maker) whose taste I trust. Even though most of my American friends found the album hard to adjust to, I adored it, and played it over and over at the most outrageous volume, especially those parts I thought British DJ John Peel would have meant when he said that he thought they sounded like “terror in the Rue Morgue.”

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